ARCHIVE

Аrchive of the scientific journal

https://www.kazancons.ru/science/scientific-journal/archive-eng.html

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2024 - 4(48)

MUSIC HISTORY AND THEORY

A. A. Vlasov

Einlage to the Parody "Nagerl und Handschuh" by J. N. Nestroy as a Textual, Source and Historical Enigma

 

A. V. Naumov

The Musical Theater of R. M. Gliere: “Schluck and Yau” by G. Hauptmann (1905)

 

E. V. Beriglazova

Oratorio-poem by V. Salmanov “The Twelve”: the Image of the Red Guards in the Context of the Folk Culture of Laughter

 

A. G. Korobova

Sonoristics and Sound-painting Trends of Contemporary Music

 

A. V. Khakhina, E. N. Khadeeva

Images of Chinese Poetry in the Vocal Cycle “Water-Colors” of J. A. Carpenter

 

Liu Tingting, D. R. Zagidullina

Symphonies of Zhu Jian’er: on the Problem of Orchestral Compositions

 

I. I. Vasiruk

Pentatonics and Polyphony: About the cycle “24 Preludes and Fugues” by Vitaly Kharisov

 

МUSICAL THEATRE

E. A. Shvets

Opera “Einstein” by Salim Krymsky as an Example of the Original Style 

 

TRADITIONAL MUSICAL CULTURE: HISTORY AND MODERNITY

T. S. Sergeeva, E. V. Burundukovskaya

From the History of the Religious Holiday of Mawlid and Its Musical and Poetic Traditions in Medieval Granada

 

PROBLEMS OF ETHNOMUSICOLOGY 

D. A. Bulatova

On the Formation of the Turkic Bowed Culture in Altai and Western Siberia

 

MUSICAL CULTURE OF PEOPLES OF VOLGA  AND URAL REGIONS 

D. N. Bekirova, A. L. Maklygin

Opera by N. G. Zhiganov “Namus”: Contexts of Oblivion

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2024 - 3(47)

MUSIC HISTORY AND THEORY

I. V. Shlemov

Charles II Stuart and His Role in Shaping the Violin Culture in England

 

A. L. Maklygin

Pentatonics in the Theoretical Discussions of the First Half of 20th Century

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

E. V. Kruglova

Historical Reconstruction of the Singing Fast Passages Technique in Baroque Music

 

M. S. Burlakov

Timbre and Articulation in the Poetics of Kirill Volkov’s Accordion Sonatas

 

PROBLEMS OF ETHNOMUSICOLOGY

M. G. Kondratiev

On the History of the Psalter–like Gusli of Russia: the Hypothesis of F. P. Pavlov — R. B. Galayskaya

 

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

I. M. Gaziev

Tatar Music of the Beginning of the 20th Century in Recordings: Harmonica Solo

 

D. F. Khairutdinova, V. R. Dulat-Aleev

On the Collaboration of Shamil Sharifullin with the Tatar Drama Theater (Based on the Materials of the Musical Archive of the G. Kamal Tatar Academic Theater)

 

MUSICAL PERFORMANCE AND PEDAGOGY

Cao Xinyu

“40 Chinese Folk Songs in Polyphonic Arrangement for Piano” by Chen Hongduo as an Example of a Practical Task on Polyphony for Students in China

 

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2024 - 2(46)

MUSIC THEORY AND HISTORY

 

E. M. Smirnova

On the relationship of word and music in the “Russian song” and some features of the rhythmics of chamber vocal works by M. Musorgsky

 

I. V. Viskova

Medieval religious hymn “Bogurodzica»: the history and modernity

 

E. A. Shavyrina

“Slavic” works of Antonin Dvorak

 

V. O. Petrov

On the role of dramatic conflict in piano duets by Dmitry Shostakovich

 

MUSICAL PAST THROUGH THE PRISM OF TIME

I. A. Tokarev

Authorship and composition of Medieval Latin songs

 

B. B. Borodin

Marginalia to Ferruccio Busoni’s short essay “About Liszt”

 

MUSICAL CULTURE OF PEOPLES OF VOLGA AND URAL REGIONS

 

G. R. Saifullina

Music in the classification of sciences by Shigabutdin Mardjani. From the history of Tatar thought about music

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

 

Shi Wenxin

The Process of Europeanization of China’s Opera Theater

 

Wang Jiaxin

The concept of dialogue in the piano concerto “Fire” by Tan Dun

 

G. Zholdoshbek kyzy

Some features of the harmony organization of instrumental works of Kyrgyz composers (on the example of kuu A. Ogonbaev “Mash botoy”)

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2024 - 1(45)

MUSIC THEORY AND HISTORY

Yu. A. Ivanova Maren Mersenne’s treatise “Quaestiones celeberrimae in Genesim” (Paris, 1623) in the collections of the Lobachevsky Scientific Library of Kazan (Volga Region) Federal University

P. Yu. Moskvitelyova, R. A. Nasonov John Stanley: the blind organist and improvisation of voluntary

I. V. Shlemov Italian musicians: an acting force in the formation process for the international violin school in England in the 18th–19th centuries

 

PROBLEMS OF MUSICAL-PERFORMING ARTS

K. L. Zaitseva Ornamentation in French educational and methodological treatises for the Neapolitan mandolin of the 18th century

A. V. Begutov Foreign guitarists in Russia: creative dialoges of F. Sor and A. Sychra

Zeng YiYi Piano Concerto No. 5 of Anton Rubinstein and it’s performance fate



MUSICAL CULTURE OF PEOPLES OF VOLGA

L. I. Bushueva Stage folklorism in Chuvashia: history and modernity

 

МUSICAL THEATRE

E. N. Terekhova, D. F. Khairutdinova Ballet-fable “The Tale of Yusuf” by L. Lyubovsky, R. Kharis and G. Kovtun: on the issue of genre solution



ETHNICAL MUSICAL CULTURES

M. А. Gulieva Musical Heritage of the Representative of Azerbaijan Culture Alakbar Asgarov

 

Index of publications in the journal “Music. Art, research, practice” for 2023